Nineteenth Century

NINETEENTH CENTURY

LITERATURE

 François-René de Chateaubriand, Atala (1801).
 ♀ Madame de Staël, Delphine (1802).
 August von Kotzebue, The German Small-Town People (1803).
 Étienne de Senancour, Oberman (1804).
 Friedrich Hölderlin, Night Songs (1805).
 Zacharias Werner, The Cross on the Baltic Sea (1806).
 Ugo Foscolo, The Tombs (1807).
 Heinrich von Kleist, The Marquise of O (1808).
 Adam Oehlenschläger, Palnatoke (1809).
 George Crabbe, The Borough (1810).
 Friedrich de La Motte Fouqué, Undine (1811).
 Achim von Arnim, Isabella of Egypt (1812).
 ♀ Jane Austen, Pride and Prejudice (1813).
 Adelbert von Chamisso, Peter Schlemihl (1814).
 William Wordsworth, Poems (1815).
 Benjamin Constant, Adolphe (1816).
 Clemens Brentano, The Brave Caspar and the Fair Annerl (1817).
 Franz Grillparzer, Sappho (1818).
 Walter Scott, The Bride of Lammermoor (1819).
 John Keats, Lamia (1820).
 Percy Bysshe Shelley, Adonais (1821).
 E. T. A. Hoffmann, The Life and Opinions of the Tomcat Murr (1822).
 Heinrich Heine, Almansor (1823).
 Lord Byron, Don Juan (1824).
 Alphonse de Lamartine, The Last Canto of Childe Harold’s Pilgrimage (1825).
 Joseph von Eichendorff, Memoirs of a Good-for-Nothing (1826).
 Alessandro Manzoni, The Betrothed (1827).
 Li Ruzhen, Flowers in the Mirror (1828).
 Victor Hugo, The Last Day of a Condemned Man (1829).
 Stendhal, The Red and the Black (1830).
 Giacomo Leopardi, Poems (1831).
 Alfred de Vigny, Stello (1832).
 Alexander Pushkin, Eugene Onegin (1833).
 Adam Mickiewicz, Master Thaddeus (1834).
 Georg Büchner, Danton’s Death (1835).
 Alfred de Musset, Confession of a Child of the Century (1836).
 Prosper Mérimée, The Venus of Ille (1837).
 Hans Christian Andersen, The Wild Swans (1838).
 Edgar Allan Poe, The Fall of the House of Usher (1839).
 Mikhail Lermontov, A Hero of Our Time (1840).
 Charles Dickens, Barnaby Rudge (1841).
Nikolai Gogol, Dead Souls (1842).
 Honoré de Balzac, Lost Illusions (1843).
William Makepeace Thackeray, The Luck of Barry Lyndon (1844).
 Alexandre Dumas, Queen Margot (1845)
 Almeida Garrett, Travels in My Homeland (1846).
 ♀ Emily Brontë, Wuthering Heights (1847).
 ♀ Anne Brontë, The Tenant of Wildfell Hall (1848).
 ♀ Charlotte Brontë, Shirley (1849).
 Nathaniel Hawthorne, The Scarlet Letter (1850).
 Herman Melville, Moby-Dick (1851).
 Alexandre Dumas fils, The Lady of the Camellias (play, 1852).
 ♀ George Sand, The Bagpipers (1853).
 Gérard de Nerval, The Daughters of Fire (1854).
 Ahmad Faris Shidyaq, Leg over Leg (1855).
 Gottfried Keller, The People of Seldwyla (1856).
 Charles Baudelaire, The Flowers of Evil (1857).
 Octave Feuillet, The Romance of a Poor Young Man (1858).
 Ivan Goncharov, Oblomov (1859).
 Ivan Turgenev, First Love (1860).
 ♀ George Eliot, Silas Marner (1861).
 Gustave Flaubert, Salammbô (1862).
 Théophile Gautier, Captain Fracasse (1863).
 Alfred Tennyson, Enoch Arden (1864).
 Lewis Carroll, Alice’s Adventures in Wonderland (1865).
 Paul Verlaine, Saturnine Poems (1866).
 Henrik Ibsen, Peer Gynt (1867).
 Alexander Ostrovsky, Enough Stupidity in Every Wise Man (1868).
 Lautréamont, The Songs of Maldoror (1869).
 Aleksis Kivi, Seven Brothers (1870).
 Algernon Charles Swinburne, Songs Before Sunrise (1871).
 Fyodor Dostoevsky, Demons (1872).
 Arthur Rimbaud, A Season in Hell (1873).
Jules Barbey d’Aurevilly, The She-Devils (1874).
 Jules Verne, The Mysterious Island (1875).
 Benito Pérez Galdós, Doña Perfecta (1876).
 Leo Tolstoy, Anna Karenina (1877).
 Henry James, Daisy Miller (1878).
 Charles Cros, The Sandalwood Box (1879).
 Émile Zola, Nana (1880).
 Machado de Assis, Posthumous Memoirs of Brás Cubas (1881).
 Bankim Chandra Chatterjee, The Abbey of Bliss (1882).
 Villiers de l’Isle-Adam, Cruel Tales (1883).
 Alphonse Daudet, Sappho (1884).
 Léon Bloy, The Desperate Man (1885).
Pierre Loti, An Iceland Fisherman (1886).
 Guy de Maupassant, The Horla (1887).
 August Strindberg, Miss Julie (1888).
 Louis Couperus, Eline Vere (1889).
 Ivan Vazov, Under the Yoke (1890).
 Oscar Wilde, The Picture of Dorian Gray (1891).
 Maurice Maeterlinck, Pelléas and Mélisande (1892).
 Émile Verhaeren, The Hallucinated Countryside (1893).
 Rudyard Kipling, The Jungle Book (1894).
 Joris-Karl Huysmans, En route (1895).
 Anton Chekhov, The Seagull (1896).
 Edmond Rostand, Cyrano de Bergerac (1897).
 Pierre Louÿs, The Woman and the Puppet (1898).
 Joseph Conrad, Heart of Darkness (1899).
 Gabriele D’Annunzio, The Flame (1900).

APPENDIX

 Washington Irving, Rip Van Winkle (1819).
 Fenimore Cooper, The Last of the Mohicans (1826).
 Hégésippe Moreau, The Myosotis (1838).
 Elizabeth Gaskell, North and South (1855).
Wilkie Collins, The Woman in White (1860).
 Leconte de Lisle, Barbarian Poems (1872).
 Tristan Corbière, The Yellow Loves (1873).
 Sully Prudhomme, Vain Tenderness (1875).
 Mark Twain, Adventures of Huckleberry Finn (1884).
Marc de Chandplaix, The Bottom of a Heart (1890).
 Thomas Hardy, Tess of the d’Urbervilles (1891).
 Gerhart Hauptmann, The Weavers (1892).
 H. G. Wells, The Time Machine (1895).
 Alfred Jarry, King Ubu (1896).
 Géza Gárdonyi, Eclipse of the Crescent Moon (1899).

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